web analytics

Quotes: Henry James on Venice – 1

[Before St. Mark's and public hospital, Venice, Italy] (LOC)


The sentimental tourist sole quarrely with his Venice is that he has too many competitors there. He likes to be alone; to be original; to have (to himself, at least) the air of making discoveries. The Venice of to-day is a vast museum where the little wicket that admits you is perpetually turning and creaking, and you march through the institution with a herd of fellowgazers. There is nothing left to discover or describe and originality of attitude is completely impossible… But this is not the fault of Venice; it is the fault of the rest of the world.

Henry James, The Italian Hours.

The image is courtesy of The Library of Congress. See Flickr page for details.

Christmas in Sculpture: The Vatican Magi

Adoration of the Magi, 3rd c. A.D., Vatican, Rome

And we’re starting with the carved scene of the Adoration of the Magi (top). It can be found in Rome, in Vatican, so those of you who are Italian or regularly visit Italy can find this carving on a 3rd century sarcophagus. In Vatican, as well, there will be two 4th c. sarcophagi with the same theme, so we can actually see how the depiction evolved in just a hundred years. If anything, it became more elaborate, compared to the earlier carving where figures are crowded around enthroned Our Lady. The carvings from the 4th c. sarcophagus from St Agnes cemetery at the Museo Pio Christiano in Vatican demonstrate original imagination and impressive skill of the carvers: the scene now includes camels on which the Magi rode, following the Star of Bethlehem. One of the depictions (below) also contains the scene of the Massacre of the Innocents.

Adoration of the Magi, 4th c. A.D., Vatican, Rome

Another curious point is the headgear of the wise men: the commissioners and carvers of the 3rd c. and one of the 4th c. sarcophagi were clearly of the opinion that the Magi came from Persia, thus adorning their heads with a Phrygian cap. However, on another 4th c. sarcophagus the headgear is more ambiguous, and looks similar to the later depiction of the Magi wearing Arabic head scarves. Where all depictions seem to agree is the way the gifts followed one another: the first is myrrh oil, followed by frankinsence, followed by gold.

Adoration of the Magi, 4th c. A.D., Museo Pio Christiano, Vatican, Rome, St Agnes cemetery

 

error: Sorry, no copying !!