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In the Mood for a Weekend

Staying only for half of the day at work on Friday is already enough to put you in the mood for weekend. I was properly in the mood for it on Friday morning, when I discovered that Notebooks – Los Cuadernos de Julia is shortlisted for this year’s Manchester Blog Awards. I couldn’t blog about it last night, as my internet didn’t work, so it’s Saturday morning, and I’d like to say to everyone who nominated me a huge “thank you”. Incidentally, the event will take place at MohoLive in our dear Northern Quarter on October 10th, and although the event is free we’re all advised to book tickets. So, if you’re up to travelling to Manchester on October 10th to see me and other Manchester bloggers in flesh, let us know or just turn up at the event. As for me, I’d be absolutely chuffed to see my reader. Likewise, I’m looking forward to seeing everyone I already know, especially because meeting with some of them is sometimes tricky to organise.

To move on to more digital randomage, I notice that an email is something that gets our heads turn in the past few months: first, the 15th c. email, then mine Short history of the email, and now Google has finally assembled the Gmail users’ submissions for their video about how a Google mail travels. To check the video out, go to Gmail: A Behind the Scenes Video.

Google has also introduced BloggerPlay: in simple terms, they made all photos uploaded to blogs in real time publicly available. In their own words,

Blogger Play will show you a never-ending stream of images that were just uploaded to public Blogger blogs. You can click the image to be taken directly to the blog post it was uploaded to, or click “show info” to see an overlay with the post title, a snippet of the body, and some profile information about the blogger who uploaded it.

Sounds like real fun, and being a woman (after all), I couldn’t resist clicking on catwalk photo that brought me directly to Cuantos Trapitos blog. I don’t know Spanish, but looking at the blog, it’s all about fashion, fashion, fashion, and it’s likely to become one of those that I visit very often. Thanks to Blogger Play, what can I say!

(The image in the post is courtesy of Manchizzle).

Manchester – One of a Kind

Being a Manchester blogger, I nevetheless don’t write about Manchester as often, as about literature, or music, or my own experiences. Thankfully, I’m not unlike many a Manchester blogger. When it comes to proving our allegiance, it may look as if we take our Mancunian connection as a matter of fact. As far as I am concerned, it is both so and not because Manchester is a great, quirky, impossible, challenging place to live, – it is simply one of a kind, which is why we all love it, for however long we’ve been here. But if you want to send your love message to Manchester, it’s got to be different, isn’t it?

Yesterday I was trying my hand for the first time at making slideshows with music. I created two small ones, which gave me great deal of inspiration to experiment further. So, I took my photos of Manchester (all of them you could already see on Flickr), arranged them, edited and tweaked them, added music (“One of a Kind” from “Easy Jazz, Easy Listening” collection I copied to my hard drive when I was at QT Radio)… and then spent several hours trying to figure out how to change the file extension, so I could upload the video to the web. Finally, all jigsaw pieces came together, and here is my declaration to Manchester. It’s never been intended to be comprehensive, so there are a lot of Manchester sights missing. But we each have our own Manchester, so, while watching this video, you are seeing this city with my eyes.

I’ll continue to experiment with these technologies, but the very fact of me making this slideshow about Manchester as the first public slideshow must be telling. In connection with this, I think it’s not too bad that we, bloggers, don’t blog about Manchester very often. Because when we do, we do so with a difference.

[I’m also using the newly added feature in Blogger that allows you to upload your videos in different formats directly to your blog, without the necessity to host the file elsewhere, so as to obtain a code for embedding. LiveJournal doesn’t offer such option yet, as I had to upload the file to Imeem.com first in order to be able to post it to my Russian blog.]

//www.youtube.com/get_player

Bastille Day + Michel Polnareff = On Ira Tous au Paradis

Yesterday, when it was sunny, in France they celebrated Bastille Day. In fact, not only in France, but in England as well. Craig McGinty reports on French-style celebrations in Manchester’s Platt Fields on his blog This French Life, a great gateway to those who think of heading over the Channel to the land of decadence and fashion.

Thanks to Craig, as well, I’ve learnt about Michel Polnareff’s special appearance at the yesterday’s celebrations at Le Champs de Mars in Paris. And thanks to Craig I found a video of the song I like a lot, On Ira Tous au Paradis. So, watch the performance by l’Amiral, read the English text if you want to know what the song is about, and practise your French if you’re versed in it! In short, enjoy! And many thanks to Dailymotion user who produced the video.

All will go to paradise, even me.
Be they blessed, be they damned, all will go.
All nuns and all robbers,
All sheep and all knaves,
All will go to paradise.

All will go to paradise, even me.
Be they blessed, be they damned, all will go.
And saints, and assassins,
And society women, and hookers,
All will go to paradise.

Don’t believe what people say.
Your heart is your only church.
Open your soul a little,
Don’t be afraid of the colour of the hell’s flame.

All will go to paradise, even me.
Those who believe in God, and those who don’t, all will go.
Those who do good, and those who do evil,
All will be invited to the ball,
All will go to paradise.

All will go to paradise, even me.
Those who believe in God, and those who don’t, all will go.
The Christians, and the pagans,
And even dogs, and even rats,
All will go to paradise.

You can find French text here.

Visiting London-7 (London Book Fair)

In Visiting London-6 I mentioned and already wrote about a few seminars that I attended at the LBF. One of these was on the subject of marketing a bookshop.

Marketing Your Bookshop was presented by Peter Fisk, a respected marketer who spent years of working with and gained an invaluable experience at British Airways, Microsoft, American Express, and Coca Cola. He is also one of the most inspirational and engaging speakers I’ve seen (and heard) in my life. His style of presentation is of the kind I like to listen to and to deliver myself.

Although focused on marketing a terrestrial bookshop, the presentation has had a far wider scope, and an attentive listener would take away from a one hour talk probably as much as they would after days of intensive training and reading. Needless to say, the advice given is equally applicable to online marketing as well.

Two very basic ideas are genuinely simple: to run a successful business in the modern-day world, you need 1) to combine your logic with your creativity and 2) to cater for the needs and desires of your customer. Legion is the name to those needs, but tuning in to your customers’ voices can ultimately help you enhance and even expand your business. The necessity to expand may be inevitable even for funeral businesses (after all, you may be not the only undertaker in town). Apparently, in the States they began to recognise the fact that the funeral should be a celebration of the life of the deceased, rather than an endless mourning of their death. As a consequence, some American undertakers began to expand their business into the area of fireworks trade and to offer a choice of a firework display to perform at the scattering of the ashes.

Yet the cleverest point of the presentation is Peter’s continuous referring to the two distinct, genuine individuals who in a very powerful way challenged and shaped the 20th c. – Albert Einstein and Pablo Picasso. The idea of a successful marketing is in bringing together one’s creativity and one’s logical thinking. Picasso and Einstein are referred to as those who embodied creativity (Picasso) and logic (Einstein). As being shown, however, Picasso had received an in-depth academic training in painting, whereby he was eventually able to overthrow the canons of his art and to pave the road to a new artistic vision. Likewise, Einstein, as brainy as he was, had been a dreamer who dreamt up some of his groundbreaking theories while walking in the mountains. Both Picasso and Einstein were capable of such complete success at their “trade” because, in the end of the day, both used logic and knowledge AS WELL as their creative potential.

This point is not only valid, but very powerful indeed, as it shows that a successful business is not just about figures, money, and the GP. Furthermore, Fisk potently demonstrates that art and business are not completely polar, as many of us tend to believe. He doesn’t recommend to turn your business into “show business”, but he urges to try and find this elusive equilibrium of creative thinking and knowledge. Quite simply, if you’re knowledgeable, look to make a new creative use of it. If you’re an artist, don’t lose your mind to the untempered creative impulse.

I suppose the latter point must sound strange coming from somebody creative (myself on this occasion). But, even if we look no further than at the works of literature, we’ll notice that all of them that survived their time and continue to impact and inspire us to this day are not just “lovely stories” or “serious stuff”. Beautiful in form, these works often hide many powerful intellectual challenges. For example, I have noticed long ago that people tend to think that poetry, as art in general, is all about emotion. In fact, it is about concealing the emotion, distancing from it, in order to capture its essence. One of my favourite Russian poets, Konstantin Balmont, when still young, was told by one of the older writers: ‘Let your inspiration crystallise first, then write’. “To crystallise the inspiration” means exactly what Peter Fisk is talking about in his presentation: to apply strict logical thinking to a creative impulse.

Links:

Marketing Genius at Amazon.com.

Marketing Genius Live – information about the book, seminars, launches, as well as a few free videos and extracts.

The Genius Works – more about Marketing Genius and Peter Fisk, plus more downloads. (Take a note of the website’s name.)

Peter Fisk’s presentation Business Strategy by Einstein and Picasso (video) from The Genius Works.

Histoire de Melody Nelson (Serge Gainsbourg)

As you might have noticed from the Links section in my side bar, as well as from my profile, I’m a fan of Serge Gainsbourg. The first time I heard him, I was just as innocent as France Gall (who reportedly didn’t have a clue about the sexual innuendos in the song ‘Les Sucettes‘ (The Lollipops)). In fact, I was younger than Gall because my discovery of Gainsbourg’s music started with the notorious ‘Je T’Aime Moi Non Plus‘, with me having no idea about the meaning of some specific sounds on the record.

For years, Gainsbourg has been hovering over the French music scene. His versatility at both music and lyrics, as well as his lifestyle, not only turned him into a monumental figure of European music, but in later years also inspired many *interpretations*. As someone noted on YouTube, Kate Moss and Pete Doherty look strangely similar to Birkin-Gainsbourg duet, except that Doherty’s influence on modern music is not as decisive, as was Gainsbourg’s. Then again, as Philip Sweeney remarked a year ago in The Independent, “Gainsbourg was an enthralled recycler of English and American trends, themes and phrases“, which may signal to somebody that Gainsbourg was not necessarily original.

This, however, is not the case, as Sweeney notes himself, because Gainsbourg’s songs are extremely difficult to translate into English and, in fact, into any other language. Consider this passage from his song ‘Variations sur Marilou‘:

Dans son regard absent
Et son iris absinthe
Tandis que Marilou s’amuse à faire des vol
Utes de sèches au menthol
Entre deux bulles de comic-strip
Tout en jouant avec le zip
De ses Levi’s
Je lis le vice
Et je pense à Caroll Lewis

It makes sense in English, if translated, but, as often happens, the difference in pronunciation takes away this lingering quality of original French lyrics. Furthermore, because of this difference the last three lines don’t produce the same effect. The emphasis on ‘-iss’ in the French text reminds one of a gentle murmur, of mussitation; the English version would never capture this effect.

So, on to Histoire de Melody Nelson. It was Gainsbourg’s 1972 conceptual album, which cover you may see on the right. Containing 7 songs, “Melody Nelson is a weirdly jewel-like micro-opera featuring a vintage Rolls-Royce, a male obsession for the eponymous 14-year-old garçonne, and demise via New Guinean cargo-cult, rendered by Gainsbourg’s voluptuous drawl and Birkin’s Lolita whisper, and a richly idiosyncratic instrumentation by Gainsbourg’s close collaborator Jean-Claude Vannier, owing as much to Abbey Road, George Martin and the film soundtracks of John Barry as to anything from Paris“. (Philip Sweeney, The Independent, 16 April 2006).

You can obviously find the album on Amazon.com, where the featured cover comes from. You can browse the links below, to read more about the album and/or Serge Gainsbourg. But on YouTube you can also find the videos to the songs. The videos, like the songs, are psychedelic, and feature the paintings of Max Ernst, Paul Delvaux, Salvador Dali, Felix Labisse, René Magritte, Henri Rousseau, which makes Gainsbourg’s album even dearer to my heart because I’ve been a devouted student of French surrealism for years.

The video I’m putting up here is the 5th part of the album. It is called ‘L’hôtel particulier‘, and uses predominantly the works of Paul Delvaux, with a few glimpses of Felix Labisse’s images. If you want to read the lyrics to the song, follow the link to Alex Chabot’s translation.

Links:

Serge Gainsbourg’s site – in French. Very informative – be careful if you’re a serious Serge’s fan and didn’t know about this site: you may very well spend the entire night reading the story of a remarkable talent.

Alex Chabot’s translations of Gainsbourg’s texts.

Specifically L’hôtel particulier (from the above).

Philip Sweeney, Serge Gainsbourg: Filthy French (The Independent, 16 April 2006). Also: LookSmart’s FindArticles – Filthy French

Notes on Histoire de Melody Nelson – some interesting and somewhat sentimental facts about the making of this album from Movie Grooves.

Histoire de Melody Nelson on Amazon.com

How Wicked Is Wiki?

Although Robin has suggested that I should write an Ordsall Hall article for Wikipedia, I didn’t do this yet. Instead I have recently found a lecture read in the fall of 2006 at the University of California on the subject of search, storage and retrieval of information. In the first twenty minutes of it, the lecturer, Paul Duguid, tells about his failed attempt to introduce some important changes to a Wikipedia article on Daniel Defoe. Some of mistakes he found:

  • the article introduced the exact dates of birth and death for Defoe – in fact, these are uncertain, although it is believed that Defoe had mentioned his DOB in Robinson Crusoe.
  • his father was a butcher – he wasn’t
  • his name was a nom de plume – his early works are written anonymously
  • he was born in Stoke Newington – he wasn’t,

and so forth.

Now, if we go to Defoe’s page at Wiki, it seems that Duguid’s efforts have brought some results. Defoe’s date of birth is now dated between 1659 and 1661, his father is no longer a butcher (although a member of the Butcher’s Company), etc. But, as Paul writes in his blog, The Quality of Information, Wikipedia may go to print, and in this case they need to be strict with their authors. He blogs a lot about whether or not Wikipedia can be trusted.

What sometimes stuns me about Wiki is its choice for articles. Russian Wiki, for instance, is still very much behind her English or French sisters, but some content is hardly of an encyclopedic nature. I was amazed to find out that a girl who’s only just made one film and hasn’t yet received any prizes etc., has already got a Wiki page. This has clearly been done for promotion, and I don’t honestly think that this is in line with the spirit of encyclopedia (even the one written by ‘simple’ people).

Links:
Paul Duguid’s blog, The Quality of Information, http://infoqual.blogspot.com/
Berkeley University Podcasts and Video Lectures, http://webcast.berkeley.edu/
History of Information course, the lecture mentioned in this post is called ‘Search, Storage and Retrieval’.
Previous choice of the Berkeley video lectures available from Google Videos (David Lynch on cinema and Modern Literary Manuscripts).

Trains and Lions

First of all, my story of (mis)using trains continues this year. Yesterday I was going to Warrington from Manchester Piccadilly. I was going to take 12.07 train to Liverpool. I was on the platform 14 at 12.02. A train was getting ready to depart. The board listed stops for the train.

In all five minutes, from 12.02 to 12.07, it never occurred to me that I was standing right by my train. Only when the train has disappeared and I heard the announcement of the train to Blackpool and saw a change on the timeboard, only then did I realise that I have just missed my train to Liverpool.

I’ll be going to London again at the end of this month. I won’t be surprised if I end up in Glasgow.

In fact, when yesterday I was checking train times on Nationalrail.co.uk, the system didn’t reply to my query straight away, claiming a mistake. There could be several reasons for a mistake, including this one:

…you may be looking for an unexisting destination, e.g. London to Birmingham via Glasgow…

Anyway, my heart warmed when I saw this ITN video of a hugging lion. I think it’s a good proof of the animals being able to 1) think, 2) be human (almost). If anybody puts this video up on YouTube, please let me know. We all need that lion hug. 🙂

As a matter of fact – this is just a piece of professional knowledge, nothing else – Gerald of Wales, a 12th c. chronicler, in The History and Topography of Ireland mentions a story of a lion falling in (and reportedly making) love with a lady. He claims to have seen that in Paris. Unfortunately, Gerald has got a very prudish take on this story, maintaining the impossibility of such behaviour. Well, as we see from the video, this ‘beastly love’ was probably nothing more, but an affectionate hug.

Update. Thanks to Craig who has heard my plea to find the ‘lion hug’ video on YouTube… and here it is! Thank you, Craig! And thank you to the rescuer, we all commend you!

Mood: *purr*

Once upon a time in Manchester…

…there was a screening of the film Sophie Scholl – Die letzten Tage by Marc Rothemund. We did an interview with him at Cornerhouse, the article on which you can read here. And on the web there is a video of Mark talking to David Lamble. It’s long, so make sure you’re nice and cosy if you listen to it.

Now, Marc is currently shooting his new film, called Pornorama. Shall I say it sounds intriguing? It certainly does. In the words of Marc himself, he wanted to commemorate the stiff atmosphere of the 1960-70s Germany, in which some dangerous minds (probably inspired by anything from Faster, Pussycat! Kill! Kill! to Deep Throat) decided to shoot a porn movie.

I hope, when the film is released, Cornerhouse welcomes Marc again, not least because he’s a very witty and passionate speaker. With the subject of his new film in mind, I’m sure the Q&A session that could follow would be absolutely unforgettable.

The Future of a Thriller

This year I’ve read at least two legendary film makers predicting the end of cinema: Peter Greenaway and David Lynch. They obviously don’t say that cinema is going to die altogether. Simply, the way films are being produced, their promotion and, consequently, our relation to and understanding of them will have been changed profoundly in the near future.

I’m not going to expand on this any further, as I decided to post one link here and to ponder on how technical innovations may change the future of the thriller genre. I mean, the technique you are about to see is not innovative in itself. However, I thought: what would it be if the entire film was produced like this? You might say that, unless the emerging images were as intriguing or captivating, as this one, you’d fall asleep long before the drawning ended. But in the world where there are many dull blockbusters and pathetic action thrillers, to see something like this unravelling in front of your very eyes would be rather exhilirating (at least, the first time round). And then people would begin to mass-produce such films. Imagine the remake of Oldboy, in which the producers used this technique.

In short, I think, this is a very productive way to add some fresh blood to the thriller genre. At any rate, the level of suspense should be sky-high.

Nobel Prize in Literature

This year’s Laureate in Literature is to be announced on Thursday October 12, at 11 am GMT (1 pm CET). You can watch the live internet broadcast here.

And today I was woken up in the most unusual way, by thunderbolt. The strike was very violent and loud, but I don’t know if anything was actually destroyed. That was in Manchester. And in the Lake District our intrepid photographer Tony Richards, who’s been documenting the beauties of the Lakes for several years by now, took this photograph:

© Tony Richards, www.lakelandcam.co.uk

“Too late to be ‘frightened’ by it, I just wondered at the power of Mother Nature!!!”, Tony wrote on his website. In my turn, after listening to my local thunderbolt, I was too wide awake to fall back to sleep.

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