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An Illustrated History of Russian Matryoshka Dolls

The very first matryoshka doll was made and painted to the sketches of the painter S. Malyutin by V. Zvezdochkin, a remarkable craftsman of the late 19th c. It consisted of an eight-piece nest and depicted a girl in a sarafan and a kerchief. Next came the boy, then another girl and so on. The last one was a baby doll in swaddling clothes. In spite of the dolls’ high price, the demand was equally high.

Such was the beginning of Russia’s most famous souvenir. The book you can flick through was printed in 1969, and as a toddler I studied it, not quite realising the scope of uniqueness it presented in colour. The foreign visitors have probably got used to matryoshkas with the faces of modern Russian politicians, but already before then there were matryoshkas in the national costumes of people of Soviet republics, Napoleon and Kutuzov with their closest generals, the characters from the works of Nikolai Gogol, Alexander Pushkin, Pyotr Ershov, Ivan Krylov, and many other types. There is even a Russian doll in the form of spacemen, evidently marking Yury Gagarin’s flight to space.

http://www.scribd.com/embeds/123201189/content?start_page=1&view_mode=scroll&access_key=key-19427uz1y03678qgzmrq

So, have a look, the book can be downloaded, and don’t forget to ask questions!

90th Anniversary of Leonid Gaidai

Leonid Gaidai was born on January 30, 1923. Although he died in 1993, in his life-long career he produced many a wonderful Soviet comedy, from rom-coms (Adbuction in the Caucasus) to sharp satirical features (The Diamond Arm, Bootleggers, Operation “Co-operation”). He also adapted to screen Mikhail Bulgakov’s play, Ivan Vassilyevich, about the Soviet man and the Russian tsar Ivan the Terrible who accidentally swapped places in time.

I wrote about The Diamond Arm awhile ago, so today we’ll turn to something different. Below is an extract from Ivan Vassilyevich, a rather famous episode with some engaging dance and music, the song is performed by Valery Zolotukhin, currently the leading actor and the artistic director of Taganka Theatre, following the scandalous exit of Yury Lyubimov. This is followed by Gaidai’s 10-min. short film, Dog Barbos and Supercross, filmed in 1961, that has earmarked Gaidai as the rising comedy-maker in the Soviet conscience, and propelled the trio of characters to the heights of popularity.

The Oistrakh Quartet At the Tarusa Winter Festival, 2013

The town and vicinity of Tarusa are well-known for the love that great Russian artists, musicians, and writers had for it. I mentioned previously that Marina Tsvetaeva, Konstantin Paustovsky, Viktor Borisov-Musatov, and Nikolai Zabolotsky all lived in Tarusa at one or another period of their lives. However, there was one man-of-arts who acknowledged the salubrity of Tarussian air and the glory of its nature, and built himself a dacha in some distance from Tarusa town centre. This was Svyatoslav Richter, one of the outstanding pianists of the 20th c.

Richter founded several annual musical events, some of them specifically targeted at young audiences and musicians. The Svyatoslav Richter Foundation regularly organises the Tarusa musical festival, and this year there was a special event in early January, called “Tarusa Winter Festival”, that lasted from 5 to 7 of January, 2013. I attended it on January 6, 2013 – and was lucky to listen to the David Oistrakh string quartet perform  Edvard Grieg, Maurice Ravel, and Dmitry Shostakovich.
The David Oistrakh Quartet: Andrey Baranov, Sergei Pischugin,
Fedor Belugin, and Alexey Zhilin (courtesy of the official website)
The quartet consists of Andrey Baranov, the first violinist, who symbolically won the first prize at the Queen Elizabeth International Violin Competition 75 years after it had been won by David Oistrakh himself. Just as Richter is considered one of the best pianists of the 20th c., so is Oistrakh the best violinist. His legacy lives in the second violinist of the quartet, Sergei Pischugin, who was Oistrakh’s student. Over the course of his career Pischugin played in the Glinka and subsequently the Shostakovich Quartets. With the latter he recorded virtually all string quartet repertoire existing. The violist Fedor Belugin played with Pischugin in the Shostakovich Quartet and has been successful at combining teaching activities at the Moscow Conservatoire and the Gnesin Music School with both quartet and solo performances. Finally, the cellist Alexey Zhilin is considered one of the best Russian cellists of his generation. He often performs as a soloist with chamber and symphonic orchestras in Russia and abroad.
In 2012 the family of David Oistrakh donned the famous violinist’s name to the quartet.
So, on January 6, 2013 the David Oistrakh Quartet performed Edvard Grieg’s Quartet no. 1, Op. 27, G-moll and Maurice Ravel’s Quartet F-dur. As it happens, however, the public was so fond of the performances, the quartet had to play a bonus piece… and that was Polka by Dmitry Shostakovich. The videos below are Ravel’s Quartet F-Dur, Allegro moderato, tres doux; and Shostakovich. I also included a recording of Shostakovich’s Polka by the Rasumowsky Quartet.

The Gandhi Angel In the Heart of Moscow

You may have heard of the heavy snowfalls that came down on Moscow in the last few days. While such snowfalls usually play a few tricks with the appearances of people and buildings, this year’s award doubtless goes to the bust of Mohandas Gandhi that stands in the inner yard of the Foreign Literature Library in Moscow. From the side the heap of snow on his head makes him look like wearing a Phrygian cap, whereas from the front he appears like an angel, complete with wings. The Gandhi Angel, no less.

Moscow Winter Events

Not long after I came back from Tarusa a chain of various events ensued, mostly pleasant. I attended the opening of two exhibitions at the Central House of the Artist and previewed the other two there; met with a few friends at various lovely places, and finally attended the first night of Boris Godunov by Alexander Pushkin stages by Nikolai Kolyada and performed as part of Kolyada Festival at the theatre centre “Na Strastnom”. Presently I’m sitting in one of my favourite cafes after a good productive afternoon at the Foreign Literature Library where I have been working on one of the projects I mentioned last year. And frankly, little can put you into the right working mood than the following sights that you see immediately upon leaving the house.

As a matter of fact, two girls who sit behind me chat about movies, one of them boasting that she can “predict” the twists and turns of the characters’ destinies. Both also discover their shared longing for the beauty and simplicity of the old films, namely The Breakfast at Tiffany’s.

Exhibitions Expected At the State Hermitage Museum In 2013

Perhaps there is no better way to eventually visit a city than to start learning about upcoming events. So, in a hope to finally visit St. Petersburg I’d like to post here provisional list of exhibitions I found interesting that are currently listed on the State Hermitage Museum’s website. As the museum authorities note, the titles and dates of the exhibitions may change, but we shall hope my choice will remain more or less the same.

Paul Cezanne, Card Players. From the Courtauld Institute collection, as part of the series “Masterpieces of world museums at the Hermitage
When: Feb 27 – May 26, 2013.

The Legacy of German Expressionism. From the George Economou collection
When: May 13, 2013 – Jan 20, 2014.

The Corporate Unity. The Dutch group portrait of the Golden Age from the collection of the Museum of History of Amsterdam
When: June 8 – Sept 1, 2013.

The White City. The Bauhaus architecture in Tel-Aviv
When: June 12 – Sept 15, 2013.

El Lisitsky and Ilya Kabakov
When: July 17 – Sept 15, 2013.

Wilhelm II and Anna Pavlovna. The royal luxury of the Dutch court
When: Sept 25, 2013 – Jan 12, 2014.

Fluxus. Jurgis Maciunas. Russia Atlases
When: Oct 5 – Nov 3, 2013.

Britannia silver from Queen Victoria’s time
Oct 23, 2013 – Jan 19, 2014.

Contemporary Japanese Art
Nov 9, 2013 – Feb 9, 2014

Salvador Dali and his Spanish contemporaries
Nov 23, 2013 – Feb 16, 2014

More events.

And if you are based in Australia or plan to travel there before May 2013, bear in mind that you can visit a unique exhibition of ancient artifacts from the Hermitage collection that date back to the time of Alexander the Great. “Alexander the Great: 2000 Years of Treasures” is exhibited at the Museum of Australia in Sydney until May 10, 2013. The exhibition is sponsored by The Daily Telegraph, JCDecaux, Etihad Airways, and National Geographic Channel among others.

Alexander the Great’s exhibition displays (courtesy of The Hermitage)

The TripAdvisor Map of My Travels

I mentioned before that I criss-crossed England and Wales, which in a way compensated for the lack of knowledge of my first native country. Now it’s been two years since I came back to Moscow, and I’m happy to report that I have been trying to travel at every opportunity. Given that Russia is larger, it can take a fair amount of time to travel from one town to another even when they are closely located. And still… I impressed myself with the result of my exploring Britain, and you are invited to take a look. I don’t use TripAdvisor all that much, but I have been Qyping since 2010.

Louis Untermeyer – Einstein Among the Coffee Cups

Einstein with a coffee mug
(courtesy of Elevatorbob)

A poem Einstein Among the Coffee Cups by Louis Untermeyer (1885-1976) was included in his Collected Parodies (1926). An American poet, translator, parodist, critic and a children’s author, Untermeyer took on a no small work by parodying T.S.Eliot. Given that in 1948 Eliot was to win the Nobel Prize in Literature, one can say that Untermeyer had made a good choice.

In this poem Untermeyer parodies the sophisticated air of Eliot’s poems, his associations and a special fondness of Biblical and mythological allusions. The parody was inspired by such poems by T.S.Eliot as Preludes, Burbank with a Baedeker, Sweeney Erect, A Cooking Egg, Whispers of Immortality, Sweeney Among the Nightingales.

Deflective rhythms under seas
Where Sappho tuned the snarling air;
A shifting of the spectral lines
Grown red with gravity and wear.

New systems of coordinates
Disturb the Sunday table-cloth.
Celestine yawns. Sir Oliver
Hints of the jaguar and sloth.

A chord of the eleventh shrieks
And slips beyond the portico.
The night contracts. A warp in space
Has rumours of Correggio.

Lights. Mrs. Blumenthal expands;
Calories beyond control.
The rector brightens. Tea is served:
Euclid supplanted by the sole.

Winter 2013 in Tarusa

A small town in Kaluga Region scattered along the Oka River, Tarusa has long been loved by the creative folk. The Tsvetaev family used to live here, including Marina Tsvetaeva; their house museum is open to the public nowadays. Konstantin Paustovsky, one of the principal Russian authors who had been considered for the Nobel Prize but “lost” to Mikhail Sholokhov, resided here and was buried at the local cemetery. Viktor Borisov-Musatov, an outstanding Russian painter, died and was also buried in Tarusa. Marina Tsvetaeva, as a matter of fact, also wanted to be laid to rest here, and to complete her wish, someone local had set a stone on the spot she had once chosen for her grave. Nikolai Zabolotsky, a wonderful Russian poet, spend the last two years on his life in Tarusa, the house where he lived still standing, although looking half-forgotten.

Across the Oka is the famous Polenovo, an estate named after the painter Vassily Polenov. Tarusa thus overlooks Tula Region which is ever easily accessible in winter: now that Oka sleeps under the shield of ice and snow, people cross it on snow-mobiles, skies, and on foot.
I discovered Tarusa and first visited it in August 2012. I made a few wonderful friends here, artists, writers, sculptors, and the place’s fresh air never ceases to inspire. The sonnet you read recently was composed on the first night of my recent stay in Tarusa.

Poetry: Those Sleepless Nights

Those sleepless nights when ceiling is like a sky,
Heavy with floods of never ending thoughts,
Hiding the long-forgotten thunderbolts
Of memories and regrets that never die –

Those sleepless nights, with feelings running high,
When you’re but forced to re-enlist your faults;
When Fear creeps under the dingy vaults
Of splendid palace of your passing Time, –

Let those nights be blessed with your pain
And every loss, untimely and vain –
To err is human, have you never known?

Let rain pour down and flood your corridors,
Let thunder break the windows, walls and doors,
So you rebuild all that was overthrown.

Julia Shuvalova 2013

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