Et bon, mes chers lecteurs, enfin j’ai visite Paris. Pardonnez-moi l’absence des articles, mais il n’y a pas de langue francaise a mon telephone.
Those of you who have been reading the blog for a while will know that this was a very long-lasting dream that has finally come true. According to the French themselves, I speak their language very well, although this was the first time I really had to converse with native speakers. I managed to keep my writing skills up, while living in the UK, but I was quite fearful for the spoken language. Thankfully, there is nothing to fear about any longer.
I’ve only had two days, so I somehow chose to visit the Sacre Coeur, the Eiffel Tower, the Pere Lachese cemetery, and the Louvre. Maybe I should have made a different choice, but the positive impressions abound anyway. In addition to visiting these great sites, I ate at various lovely places where there was always good food and good service, both at good value. The majority thought I was English, if I had to “switch” the language to better express myself. I took buses and metro, I climbed 300 stairs up the Sacre Coeur to see the unforgettable Parisian panorama in broad daylight. Naturally, I chose to use the ascenseur (elevator) to visit la Tour Eiffel, for otherwise I’d overdo climbing for the day. I was still rewarded with spectacular views of Paris by night and a short illumination.
The French were generally very helpful – perhaps because they sensed the chance to practise their English. As soon as I arrived and was trying to figure out where to go, a map in my hand, a lovely French lady came up and offered me help. I always do this kind of thing in Moscow, so it looks like this was the instance of “the good you do comes back to you“.
And then there were two funny situations, both at the Eiffel Tower. First, I saw two security guards studying a small bottle of champagne they confiscated from someone. The conversation went thus:
I: “Are you going to give it back, if they ask?”
Guard: “Me? This is going to cost!” – and he made a gesture with his fingers, hinting at the money they’d have to pay to get the bottle back.
Obviously, this was a joke.
A better one followed during my own security check before going for the elevator. Our conversation:
Guard: Knives? Pistols?
I: Of course, not!
Guard: A bomb?
I: Well, I haven’t thought about it.
At one of the bistros where I stopped we had a pleasant conversation with a gentleman from Biarritz. Eventually, we arrived to a conclusion that Biarritz was even more expensive than Nice because of its exclusivity. In return, I explained the meaning of the word “issue”, and how it can be used in English language.
Prior to going to Paris I read Villa “Amalia” by Pascal Quignard. It was a Russian translation, a moving story of a woman-artist. I remember trying to read Dance, Dance, Dance by Mourakami in English years ago, and I couldn’t even wade through it because it felt like I was “reading” a film by some Asian director, Wong Kar-wai or something. As much as I love Kar-wai’s films, “reading” it in another author’s novel was too much. I didn’t get past a few opening chapters.
With Villa “Amalia” there was also a feeling that it was a very cinematographic novel, I could easily see it being adapted to the screen, and the little parts, into which the bigger chapters are broken, may in fact be separate scenes in a feature. Thanks to this, the novel is every bit a French film at its best: rich yet succinct, and always with a good “afterthought”, as in “aftertaste”. Isabelle Huppert could certainly play Anna Hidden. I guess this plainly shows me as a huge French cinema fan.
In the story, as well, “Hidden” is a pseudonym. The protagonist is half-Jewish, she took the pseudo after a suggestion from her lover, but her father has spent a lifetime escaping various things, family included. Anna herself “hides” from relationships and, at some point, from people, while retaining her privacy. And as she is not widely known by face, she remains “hidden”. Apart from everything else in the novel, this is a beautiful play on words from another language, to portray a character.
And on the way back from Paris I was again reading Les Champs Magnetiques by A. Breton and Ph. Soupault.
Donc, a bientot!