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Manchester – One of a Kind

Being a Manchester blogger, I nevetheless don’t write about Manchester as often, as about literature, or music, or my own experiences. Thankfully, I’m not unlike many a Manchester blogger. When it comes to proving our allegiance, it may look as if we take our Mancunian connection as a matter of fact. As far as I am concerned, it is both so and not because Manchester is a great, quirky, impossible, challenging place to live, – it is simply one of a kind, which is why we all love it, for however long we’ve been here. But if you want to send your love message to Manchester, it’s got to be different, isn’t it?

Yesterday I was trying my hand for the first time at making slideshows with music. I created two small ones, which gave me great deal of inspiration to experiment further. So, I took my photos of Manchester (all of them you could already see on Flickr), arranged them, edited and tweaked them, added music (“One of a Kind” from “Easy Jazz, Easy Listening” collection I copied to my hard drive when I was at QT Radio)… and then spent several hours trying to figure out how to change the file extension, so I could upload the video to the web. Finally, all jigsaw pieces came together, and here is my declaration to Manchester. It’s never been intended to be comprehensive, so there are a lot of Manchester sights missing. But we each have our own Manchester, so, while watching this video, you are seeing this city with my eyes.

I’ll continue to experiment with these technologies, but the very fact of me making this slideshow about Manchester as the first public slideshow must be telling. In connection with this, I think it’s not too bad that we, bloggers, don’t blog about Manchester very often. Because when we do, we do so with a difference.

[I’m also using the newly added feature in Blogger that allows you to upload your videos in different formats directly to your blog, without the necessity to host the file elsewhere, so as to obtain a code for embedding. LiveJournal doesn’t offer such option yet, as I had to upload the file to Imeem.com first in order to be able to post it to my Russian blog.]

//www.youtube.com/get_player

Matthew Barney in Manchester

In April 2003 I was approached by a friend of mine who is now on the editorial board of The Herald of Europe (“Вестник Европы”), to do a few translations for their forthcoming first English issue, from Russian into English. I translated a lot of texts, but then it took them a year and a half to actually publish the journal. By September 2004 the majority of texts became outdated, except one, and that was a review of Matthew Barney’s The Cremaster Cycle by Alexander Parschikov (it is now available online at The Herald‘s website, slightly edited for publication and, alas, uncredited, like all translations). It was a very deep review, as you would consider any review that references Samuel Beckett in the very first paragraph. Back then it was the first time ever that I read the name of Barney, and my natural curiosity was helped by detailed descriptions of all five films.

This, for instance, is what you could see in The Cremaster 1:

One of the protagonists finds herself under a table that is covered with a white cloth. She wears a skimpy light silk dress and dances slowly around the hollow table-leg, lying on her back. Then she makes a hole in the tablecloth with her hairpin, and surreptitiously steals some grapes, which magically roll through her body and pour onto the floor through a hole in the high heel of her mule. When they reach the floor, the grapes link together like necklaces and form regular, symmetrical, mirror-image patterns. The figures they form look like female genitalia, and replicating this, the chains of girls in the football stadium arrange themselves into identical biomorphic shapes. The film has no beginning and no resolution: the balloons will never land, the protagonist will go on building new figures out of the grapes, stretching slowly like a mollusc as she looks for a lipstick; the air hostesses will not break their silence, and the smiles of the girls in the stadium are frozen for eternity. Perhaps, the protagonist, hidden from these sculpture-like air hostesses, expresses their subconscious desires, their biological rhythms and their suppressed eroticism.

The reviewer concluded that

…Barney takes his characters from the Pantheon of digital images that represent nothing but their own electronic essence. In his works we find an epic uniformity, a never-ending movement towards some objective. Nothing is clearly defined or attainable; rather there are opal lights reflecting on surfaces, high-molecular materials, and artificial or natural extensions of the human body. This leaves only one question. Where do these extensions take us?

The Manchester audience, especially that part of it which is better versed in Barney’s art than either me or Richard Fair, probably already knows a very detailed and long-winded answer because Matthew Barney’s genius has now marked Manchester with its presence. All in all, Manchester has done incredibly well for its first International Festival. We had Chopin’s music at the Museum of Science and Industry; Carlos Acosta is performing both classical and modern ballet numbers at The Lowry; jazz musicians entertained everyone who would drop in to the Festival Pavilion; we had a maverick Peter Sellars uttering age-old paradigms at the Guardian Debate; and eventually we had Guardian of the Veil, complete with urinating women and an impotent bull. And all this is against the backdrop of Barbra Streisand at the M.E.N. Arena on Tuesday and the forthcoming final performance of The Tempest at the Royal Exchange Theatre.

On Thursday night Deansgate was swarming with people in all sorts of evening frocks going to see Il Tempo del Postino. I haven’t been to the performance, but the headline “What if an exhibition was not about occupying space but about occupying time? Can contemporary art be interpreted outside of a traditional gallery environment?” doesn’t strike me as novel. André Malraux famously called on creating a “museum without walls”, which in simple terms means a museum in your head where you can wander at your leisure. Which means, in turn, that you’re occupying time while contemplating and interpreting art outside any kind of physical space.

And yet it looks like the show has gone the extra mile because Richard Fair says in his review:

I knew before the piece – Guardian of the Veil by Matthew Barney and Jonathan Bepler – that I was in for something different. Something challenging. Apart from what was going on stage, all around the auditorium were actors dressed in IRA-type uniform brandishing ukuleles. Let me tell you, if that was the chosen weapon of the paramilitary group in the seventies the troubles would have ended a long time ago.

Back to the question then: do art and politics mix? Should art and politics mix? Or should we simply wander from an excited bull to a guy with a dog strapped to his head, simply recognising that their nature as images and wandering off, without ever finding an idea behind an image?

Sometimes I feel that contemporary art is a mere, yet constant, wandering-off.

Read more:

Richard Fair, Manchester International Festival: Day 16 (BBC Manchester Blog)
.
Manchester International Festival: Il Tempo del Postino (Mancubist.co.uk).

Manchester Bloggers Meet at the Festival Pavilion


What do you do on Monday evening? Come home from work and wind down in front of your TV? No, no, and no, especially when you’re involved in Manchester’s blogging scene and when you know that the BBC’s Robin Hamman and Richard Fair have reserved a table at the Festival Pavilion near Manchester Central. Is there a better way to spend a hard Monday’s night than in a company of familiar and unfamiliar faces, in the heart of your lovely red-brick city, in the location that looks so stupendously grand?

This is exactly what we did tonight, and as I’m writing this post, the clock is close to striking midnight, which means that I haven’t slept for 18 hours. Still, it’s nothing in comparison to Robin who seems to be travelling non-stop in space both virtual and physical. And nothing in comparison to Richard, who admitted with a sigh that he hasn’t got a slightest idea of when he was going to have his holiday. So far the hero of all Alan Rickman’s fans has been faithfully blogging about the Manchester International Festival and is on duty next week to cover the Tatton Park Flower Show. Oh well, I regularly get my own doze of excitement with Search Marketing.

Craig McGinty was over, giving, as usual, a plenty of helpful advice (thank-you, Craig!). I had the pleasure to meet Stephen Newton and Andrew Wilshere, Paul Hurst and Vince Elgey, Edward (whose blog I don’t know yet) and Ian, and to see Stuart Brown again. Apologies to everyone who saw me but whom or whose blogs I don’t know – please feel free to add yourself to my map of friends, and we’ll all know who you are and what you do.

In general, this meeting was a good opportunity for me to test my memory. I recognised Stephen Newton from his blog’s profile picture. Better yet, I recognised Paul, who works for one of Wigan’s schools as a media instructor. I saw him one and only time in the summer of 2005, when I went to help out Paul Ridyard, my once colleague at QT Radio in Northern Quarter. There was, however, no difficulty in recognising Phil Wood, on whose show I had my first ever radio placement back in February 2005. Broadcasting from the Pavilion late at night, Phil was, as ever, all smile and professionalism – which is exactly the memory I’ve taken of him from the placement.

The Festival Pavilion is open to everyone during the Manchester International Festival, which is to end this Saturday. I’ve planned to blog about Manchester Peripheral and Carlos Acosta, but before I do either I will go to MEN Arena tomorrow to see Barbra Streisand. This reminds me of two guys who came all the way from Birmingham to see George Michael at the Arena. They met me in Bridge St, and with a sheer distraught on their faces anxiously began to explain that they got lost and that George Michael was unlikely to wait till they find the way to the venue. Standing under my huge umbrella in the drizzling rain I was explaining to them how to get to the Arena, but eventually I began to doubt the guys were actually going there. Anyway, I do know where the Arena is, although, alas, it seems that I won’t be able to take any pictures.

And it’s almost 1am now…

For more pictures, go to: BBC Manchester Blog on Flickr

Update:
First comes an observation: Alan Rickman has got a huge retinue of fans (I shall confess – I am one of them) who, I guess, are following publications about him online via news subscription (I don’t). There is such thing in Google, for instance, as Google Alerts: it saves time ego-surfing and also keeps you updated about your favourite subject. I didn’t check it for other email applications, but I’m sure this service is quite wide-spread. Well, Alan seems to be the subject of such alerts for a few people, and we can count this as yet another beauty of blogging and analysing who visits your blog, and why. I’m sure BBC Manchester Blog has amassed a stupenduous log of “alan rickman” queries since the broadcast of his interview.

And second, as I promised, several links to the posts about the meeting. Robin said on his blog that I wrote “what must be the definitive round-up of the evening”, but what I didn’t do (so tired I was) was that I didn’t say a word about this lovely little thing which you can find at http://www.kyte.tv. To see how it works, head over to Robin and Craig.

Richard Fair (who is the hero of Alan Rickman’s fans in Manchester and elsewhere in Britain, in case I didn’t spell it out right the first time) reviewing the night on BBC Manchester Blog. Also, BBC Manchester Blog on Flickr.

Vince writing about the night on It’s a Blog! Not a Log! and uploading pictures.

Robin Hamman doing a nice mosaic of photos on Flickr.

Paul Hurst uploading many interesting pictures on Flickr, as well as Ed Brownrigg from Mamucium.

Ian from Spinneyhead and Kate from Mersey Basin Campaign each offering their take on the night.

If anyone else writes their impression of the night, please feel free to add links to the comments.

And to round it all up, a picture from Paul Hurst: it shows two die-hard Mancunian bloggers at the meeting. Have I said before that I liked monochrome photography and blur? No? Well, now you all know it.

Lydia Sokolik: My Life at War. Part 5

My Family

[This section enlists all of the Alekseev family by name, including some biographical information. – JD]

I was evacuated with my father, Efim Semyonovich Alekseev (1890-1964), and my mother, Marfa Efremovna (1891-1962).

The eldest of all my siblings, Vera (1910-1993), was a mother of two; her husband was a famous Soviet writer, Klavdy Derbenyov; one of their sons, Vadim Derbenyov, subsequently became a well-known Russian film director. Next after her, Peter (1912-1989), was cleared from going into war; instead he worked in the civilian forces and was a member of the MOONO.

The next in line, Dmitry (1914-1943), was a good actor. He took part in the operations at the Khasan Island against the Japanese in 1938. When the Great Patriotic war had started, he went to the army. Although being in the infantry, he often had to go for the intelligence, which occasionally resulted in taking the Nazi prisoners. He was severely wounded in May 1943. The bullet wounded his crotch, and the doctors had to amputate his both legs. He died on the operation table on May 27, 1943. We received a death confirmation on June 22, 1943.

My elder sister, Natalia (1916-1997), joined the secret service in Moscow, which would have become active, had Hitler’s operation against the capital been successful. Natalia was entrusted with several houses in the outskirts of Moscow, which would locate secret groups. She also held the keys to a secret typography, with two sets of fonts, Russian and German. She was in the secret service from October 1941 until February 1943.

Next in line, Leonid (1922-1985), joined the forces after the War had been declared. He went to the Western front in the infantry, and was also severely wounded, but survived. The wound, however, contributed to his death in his early 60s.

My younger brother and the youngest of all of us, Vitaly (born 1928), was evacuated with me. He was in various jobs, but had always loved singing, and was collecting Russian folk songs. He last visited me in Moscow in 2001, and the last we heard of him was that he was living with his children’s relatives in Kazan.

Lydia Sokolik: My Life at War. Part 4

The End of Evacuation, and the Victory (Autumn 1942 — May 9, 1945).

My elder brother Leonid helped us to get a permission to return from evacuation in summer 1942. During a waiting period at one of the railway stations we met the liberators of our home town. A Latvian soldier came up to my Dad and said: ‘Why are your children lying under the bench? The floor is concrete, and it’s so cold’. My father replied: ‘Where else can they lie? All benches are occupied, and they haven’t slept for so many nights’. Then I and my brother crawled from underneath the bench, our mother was left lying on this very typical railway bench. We began to talk, my father went away, and this soldier started paying me compliments. Then he asked me where we were from. I told him that we were evacuees, now returning by permission. ‘Where did you live before evacuation?’ he asked. ‘In Borovsk’, I said. As soon as he heard this, he shouted an officer over to us, a Latvian, too. Together, they explained that their division liberated Borovsk. I later read about this in the press.

In autumn of 1942 we arrived to Yaroslavl. My sister Vera lived in a room in a communal flat and could hardly fit us all, so we had to stay in my aunt’s flat. She was the Head Financier of the Armed Forces Supply Committee (Voentorg-Военторг). She arranged for my father to do carpentry work in several canteens in the city. The rest of us did not work.

In the winter of 1942 Hitler’s troops were attacking Stalingrad, which caused panic in the city. Had Stalingrad been taken, in spring as soon as the ice would melt on the River Volga the Nazis would have entered Yaroslavl. These were extremely tense, difficult days. The checks were carried out every night, with military patrols visiting each and every flat in the city. Nobody would even think of not opening the door to the patrol — vigilance was the prime objective.

We left Yaroslavl in autumn 1943. Our house in Borovsk was burnt by the Nazis. There was no point going back because there was a lack of living spaces in the town, so there was no chance anyone would put us up or rent us a house. We went to stay with my elder brother Pyotr, who lived at Mamontovka Station, not far from Moscow. When we were going from Yaroslavl to Mamontovka, at the Yaroslavsky Railway Station in Moscow we put our basket with bread under the bench, and someone stole it from the other side.

We came to Mamontovka in autumn 1943; the first snow had already fallen. Peter worked in the Moscow Regional Office of the People’s Education (MOONO-МООНО), and he lived on the territory of the Nadezhda Krupskaya Foster Care. We lived there for some time, and then we were given a small derelict house at Klyazma Station, which was a railway station just before Mamontovka. The house had neither doors, nor window frames, but we did not care much. My father was a carpenter, and he very quickly made windows and doors, I even guess they have not ever been changed.

[Note: Lydia and her daughter Olga left the house in 1970. In 2003, the house was still standing].

We met the Victory in Klyazma. The radio had never been turned off, and at three o’clock in the night we heard the signal. We rushed to turn on the black radio plate, and next minute we were hearing the voice of Levitan, who announced a special declaration from the Soviet government. He said that Hitler’s Germany signed the Pact of Capitulation. We ran outside, and the village streets were all full of people, and they were all cheering, and crying, and everyone was very happy.

Lydia Sokolik: My Life at War. Part 3

Evacuation, November 1941 — August 1942.

When we arrived to the village called Murashi, many evacuee families went to the kolkhoz. We could not go because of our disabled mother, so we stayed in the village. Our mother was put into a war hospital, where she spent around two months. At first we did not have any place to live, so we slept in the school’s building, on the floor. Local authorities were very kind to us. But the villagers were extremely hostile. The majority of them were Old Orthodox. I could not say whether they were the suppressed families, or not. My father later explained to me that they must have been people who believed they were treated unjustly. At any rate, they were very well-off. The roofs of all houses were covered with iron, all floors were dyed, which in those times was very expensive to afford. Every house had a hand washer outside. The local people told us later that these were indeed the suppressed families.

From school we were relocated into one such house. But we did not spend much time there. We were not allowed to use water from the home well, so we had to walk half a kilometre to the railway, to collect it. We actually had to cross the railway, which with all climbing up and coming down was a tough journey. But when the winter began, we were melting snow and boiling it to use as drinking water.

Another incident contributed to us leaving that house swiftly. One morning my father went to work. As soon as he went outside, I heard him screaming. I ran out, and saw him with the housekeeper, standing next to a hung cat. The cat was white, with reddish spots. My father was inquiring as to why the housekeeper would be so cruel to the animal. She said: ‘Don’t worry. The cat knows what she did. She stole meat, she was guilty, so she was punished’. The very next day we moved out.

My father found a job as a carpenter at the railways, and we moved in to a small antechamber of a local bath. Despite having no heating, it had electricity. There we lived until we left the Murashi village in August 1942.

One day my father came home and told me and my mum that next day would be the first when conscription will arrive to our town. Next morning we went out. Many women were following their men with cries and prayers, shouting: ‘Our beloved sons, do not fight against the Germans! Shoot the commissars in their backs! Surrender yourself!’ This was in late November — early December 1941. In spring 1942 devastated letters began to arrive, as well as the disabled, armless, legless soldiers.

Then one morning, when we were still sleeping, a woman from the nearby house knocked on our window. My father and I went out to see what she wanted. She stood on the lowest step of the stairs. Immediately, when she saw us, she fell down to her knees and began to beg us to forgive her. Her son had just returned from the front without legs and told her horrendous stories. She nearly forced me to go to get water from the well in her house yard.

In 1942, we worked at the construction site of the Kirov-Kotlas Railway Road. It was a part of the North-Pechora Road, but was later adjoined to the Northern Road. I only had light shoes to wear, and the winter was very severe. The underage were not allowed to work at the railroad, but the brigadiers would let us help them, ‘illegally’. One day we were told a very high official was coming to visit our road, and all underage people (including myself) were hidden away. Later it turned out that this man was the Minister of Railways during the war. I did not work there for long, and in March I became the head of the Community office, where I was responsible for blankets and other household supplies.

Meanwhile, my brother looked after a bread stall, which was owned by two Jewish sisters. He did not tell us, so when my father found out about it, he first was against it because Vitaliy was only young. One of the sisters later came to visit my father to persuade him to allow Vitaliy to work for them. They would sometimes pay him with bread.

Lydia Sokolik: My Life at War. Part 2

The Road to Evacuation.

I had joined the medical brigade, and I was given the overalls, a hat and an anti-gas mask. On 11 October 1941 we heard that Medyn [a town to the north off Borovsk] was already taken by German troops. Three days before that we had the retreating Soviet troops stationed in our town, some soldiers were even staying in our house. One of them was a police officer, his surname was Bystritskiy, who told us about the Nazis’ carnage. He said to my father: ‘Please, let your children go. You may be unable to leave, but at least let them go because the Nazis are extremely cruel to young people’.

Later that afternoon those who worked in the local radio station said farewell to the villagers, and told everyone to go to Balabanovo Station where buses stood ready to evacuate people. My father did not believe it when I told him about this, and he went back to work after his lunch.

Then the air raid siren went off, and I rushed to the meeting of my medical brigade. We were lined up in front of the vice-head of the War Committee of Borovsk, who called several people out from the line. I was one of them. He told me to move forward ten paces, then he came up to me and said: ‘The War Committee orders you to give your up munitions and go home to help your father to evacuate your mother and brother’. I was determined to refuse, but he repeated the order. He then said to me discreetly: ‘You should understand, you must help your parents because your brothers are fighting in the front, and your sister already joined the secret service in Moscow’. I marvelled at how well they knew everything. I gave my munitions to Nina Rostova, who was the head of our brigade.

I came home in the dark. A horse and cart was standing at the porch. I heard my brother Vitaliy crying; I rushed in and saw him sitting on the Russian oven, clinging on to a pillow, and sobbing: ‘I don’t want to go anywhere. I want to stay home, it’s warm here’. Outside, the land was covered with the first snow…

Some people decided to stay. When we were preparing to evacuation, our neighbour did not approve. She said: ‘Look, you have a samovar, and so do I. When the Germans enter the village, we shall invite and entertain them. So, why are you so keen on leaving?’ When the troops came in the village, some went to live next door to her, and parked their Studebaker in between the two houses. The Studebaker was all stocked with various goods. Local boys, typically curious, saw a box of cigarettes inside, and decided to get it. One of the boys was our neighbour’s son, a 12-year-old. They went in the truck for the cigarettes. She was unaware, but rushed out of the house upon hearing deafening rifle shots. She saw a Nazi officer standing at the porch of the neighbouring house with a rifle, from which he had just shot all five boys, including her son. To save her other two children, she dug a hole in the house’s cellar and kept them there until early January 1942, when the Nazis were driven out from the village.

We had to drive about 1.5 km to get to the centre of Borovsk. We reached it by about 9-10pm. My mother was disabled so it was difficult getting her on the bus. But some men helped us. The bus that took us from Borovsk to the train station was the very last one. We left on 12 October, at about 1am; at 4am, the Nazis entered the town.

Most of my family were Communists, so the Nazis ruthlessly rampaged on our house. We only took a couple of pillows with us and some meat and poultry; the rest was left behind, including hens. They were “executed” by hanging; our red pioneer ties were used as ropes.

The Nazis locked the majority of population in the main church, in the centre of the town, and were going to burn them upon the arrival of their chief SS commanders. The commanders were expected to arrive on 10 January 1942; the Latvian troops liberated the town on January 5.

But we were already the evacuees. Later on 12 October we got on a train, which only started moving in the early morning. At Narofominsk we were bombed… We spent about a month on the train. We left on October 12 and only arrived to the Murashi Station (in Kirov region) on November 5.

Panic was following us all the way. When we left from Borovsk to Kirov by train, people were telling us we would not make it, that we would be bombed. Indeed, we were bombed, although nothing too serious. We were in the last wagon, so during one of the raids our wagon was pushed off the rails. Thankfully, it did not take the entire train with it, but all people had to be moved to other wagons. Of course, we couldn’t just run, with our mother being paraplegic; so other people had to help us to move. The last time our train was caught up in the air raid was near Gorky (Nizhniy Novgorod).

Lydia Sokolik: My Life at War. Part 1

Disclaimer:

This memoire of a life during the Great Patriotic War in Russia was dictated by my grandmother, Lydia Sokolik, in 2006. I submitted this story to the BBC’s WW2 People’s War archive in January 2006. The copyright rests with me, and the BBC has a non-exclusive right to sublicense and use the story. If you wish to use this story, please read the Terms of Use and contact me for a permission.

Location of story:
Russia: Borovsk (near Smolensk), Murashi village (near Kirov), Yaroslavl, Klyazma village (near Moscow)

Article ID: A8998933

Notes on the text: the story is told by the narrator (Lydia Sokolik)

Life in Borovsk.

I was born in a small village near Dorogobuzh, in Smolensk region, on 1 October 1924. I was the sixth child in a family of seven. My father and uncle were both devoted horticulturists; the entire family were avid readers, and the house’s terrace was used in summer as a stage for home theatre. In 1936, we moved to a small town of Borovsk, ever closer to Smolensk, where we lived until October 1941.

How the War Was Declared.

The spring of 1941 was very warm, in early June the Russian town of Borovsk was blossoming beautifully. Its streets knew the moans of Napoleon’s army when it was leaving Russia. In 1941 people were preparing for their summer holidays and school children were finishing with their studies. I was in the final class at school, and like many other boys and girls across the country I had my farewell party at school in late June. We were all going to go to work or to enter higher education institutions.

We had a factory near our house, and every year it would close for the summer holidays. Our house stood on a small hill, behind us there was a magnificent pine forest. The factory workers would normally set up a holiday camp, and nearby there was a parachute tower, with a radio attached to it. In the morning of Sunday, June 22, 1941, we heard a special radio signal, and tuned in to our radio. The broadcaster said that the Commissar of Foreign Affairs, Vyacheslav Molotov, had an announcement to make. Next we heard Molotov telling us that Hitler’s troops invaded our country at 4am by taking certain cities along the Western border. It was devastating and scary news. Everyone was shocked, as we fully relied on the Molotov-Ribbentrop Pact.

Victory Day

Although I don’t normally use this blog to write anything too personal, this is the day when I would like to do so. It is 9th May, and in Russia this is the state holiday – the Victory Day.

I grew up listening to my grandmother’s story of her life during the war. Between June 2005 and January 2006 I was taking part, as a story-gatherer, in the BBC’s campaign, People’s War. The aim of the campaign was to create the living archive of wartime memories. And since stories from all countries were accepted (as long as they were in English), I contributed my grandma’s account of her life during the war.

I have always adored my grandma, Lydia, despite the fact that we belong to the two quite different generations, which results in occasional “culture clashes”. She was a working pensioner when I arrived, and when I was two, she left her job altogether, to stay with me. (Another reason was that I adhorred a nursery, and after three attempts my family realised that I wouldn’t be staying there, so someone would have to stay at home with me).

My grandmother held a BA in Law and has always been telling me to use my logic, as well as recalling various stories that had taken place at the Central Forensic Laboratory in Moscow where she used to work. She left when she met her husband, Alexei Sokolik, a Ukranian sportsman of Czech origin, and went to live to Lviv (Western Ukraine) with him. She eventually had to return to look after her parents. My mother was already born in Moscow, and my grandfather died of cancer in 1970. Since her return to Moscow until her retirement, my grandmother had worked for the Soviet Railways as a cinema instructor. Being a member of the Cultural Office at the Committee of the Railways Trade Union (Dorprofsozh – ДОРПРОФСОЖ), she supervised cinema clubs, cinema releases and box offices across all 15 regional railway committees.

So, what I decided to do is to republish the story from the BBC archive. Being a copyright holder, I nonetheless would like to acknowledge the fact that this story has originally been posted on WW2 People’s War website (Article ID: A8998933). It is one of the recommended stories in the archive, and I would like to say that I cannot praise my grandmother enough for collecting her strength to talk on the phone while I was recording. I subsequently translated her account directly from the tape.

This is what you’re about to read (quoted from my own entry on the website):

The story of evacuation of the Alekseev family spans from 1941, when they left their village with the last bus, until 1943, when they were given a derelict house to live in just outside Moscow. In these years there were many moments of joy, as well as of desperation. The evacuation camp set up in the Old Orthodox community was anything but friendly. Upon leaving it, the family was then caught up in Yaroslavl in the winter 1942/43, during the Stalingrad battle, when the prospect of Hitler’s victory created panic in the city. Throughout these years there was a constant fear for two brothers and a sister who joined the forces, which culminated in grief when the eldest brother was killed in 1943.

There are several reasons for republishing this story. It is dramatic, and many years after I heard it for the first time its dramatism has finally caught up with me, and I wondered how I would be able to survive in the similar conditions. I am sure some experiences will echo other people’s, and at best this memoire illustrates exactly where our grandparents got their will of steel. Then, of course, I am an historian, so I can also read my grandma’s story as a historical source. This is also a testimonial of a formidable personal memory, but also makes one wonder how a person goes on living with this experience. Ultimately, such stories should remind us of the devastating effect wars have on the civilian population. The Victory Day, which is celebrated as a state holiday in France (8th May) and Russia (9th May), is the good time to think about it.

The story is quite long, so I will break it up in chapters, which will all be collected under ‘My Life at War’ label. I also won’t do this in one go, so the chapters will appear in the course of this week.

Some VERY IMPORTANT notes on COPYRIGHT:
I understand that, as I am publishing this and subsequent posts, they will be read and possibly shared and/or commented by my readers. However, I hold the image and text copyright, and also the BBC holds a non-exclusive right to sublicense and use the content. May I therefore ask, please, that you 1) read carefully the BBC’s Terms of Use, and 2) link to ‘My Life at War’ label and a specific post whenever you’re planning to quote from them. Otherwise, please feel free to leave a comment.

Mancunian Bloggers Meet…

… at The Hare and Hounds today at 3pm. No doubt I’ll write about it, but at the moment you can read about the meeting here and here. The exterior of the pub can be seen on the left (many thanks to qualitybob!). For me, it’s the most convenient venue I’ll be going to since I graduated from school in 1997. My school was in five minutes walk away from my house. The Hare and Hounds is exactly opposite Shudehill bus and tram stop, exactly where my number 8 stops. Absolutely fabulous!

On the sad side, in Moscow today my former classmates are meeting to celebrate the tenth anniversary of graduation. Unfortunately, I couldn’t go to the reunion, but I’m keeping my fingers crossed for the fifteenth anniversary!

Update:

Wonderful weather in Manchester! Many people went into town dressed as if it was the middle of last year’s summer – sweaty hot and burning. Not me, though. It’s still April, and I don’t think it’s so hot yet.

We suspect therefore that it was the weather that did not permit some people to turn up at The Hare and Hounds at 3pm. Richard Fair said in advance that he wouldn’t be going, so he’s forgiven (he and Robin will have to organise another meeting at the BBC Bar to rectify this 😉 ). Craig McGinty was there, as well as James from YerMam and guys from Indie Credential. I know I’m missing out on a couple of people, so please mention yourself in the comments! Especially the person who’s fascinated by Bulgakov’s Cat Begemot from ‘Master and Margarita’.

We had a nice time, and people were still staying in the pub when I left. The pub seems to be quite old, with lots of period paintings and photographs on the walls. Its karaoke is very popular, with people taking the centre stage to sing anything from Neil Diamond, The Monkees, and Van Morrison. As I was leaving, I witnessed a man in a yellow duckling suit (so I think), with a glass of beer in hand; the suit was unzipped on the back. I suspect he was dropping in after a hard day’s entertaining children or giving out leaflets.

I must admit at one point I got distracted by the TV that was showing Deal or No Deal. The lady did amazingly well, knocking out all little sums and eventually leaving with £50,000. We sarcastically whispered that this sum would still be taxed, but… it’s still £50,000 after all.

Amidst all the pleasure and excitement there is only one minus – I have to wash my hair. The entire room where I sit at the moment is already filled with the stale odour of cigarettes.

On the left is the frontal view of our venue. It is really the best-located venue I’ve ever been to. Immediately as I took this picture I got on the bus that was already at the stop and soon I was on my way home.

See you all again next time!

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